Cathedrals, theatres and concert halls are designed to hold and amplify sound. Stained-glass windows colour the light just as instruments colour the timbre: space, image and music blend into a single experience for all the senses.
Three pieces to listen to:
- Thomas Tallis – Spem in alium: a motet for 40 voices that makes use of the reverberation in large English cathedrals.
- J.S. Bach – Toccata e fuga in re minore BWV 565: written for the organ, it reveals how a church's architecture shapes sound.
- Claude Debussy – La cathédrale engloutie: the sea submerges a cathedral and brings it back to the surface, amid water, light and resonance.